story
rhythm
math
melody
intricate
power
grace
expression
poetry
KATHAK.
Akanksha & Tara's Rangmanch Pravesh
story
rhythm
math
melody
intricate
power
grace
expression
poetry
KATHAK.
story
rhythm
math
melody
intricate
power
grace
expression
poetry
KATHAK.
story
rhythm
math
melody
intricate
power
grace
expression
poetry
KATHAK.
The dance gets its name from the Sanskrit word “Katha” which means “story,” or “traditional tale.” Kathak is one of the 8 Indian Classical Dance forms which originated in North India. The dance form was a channel for Kathakars or “the story tellers” to narrate mythological stories. During the Bhakti movement Kathak took the form of reverence for Lord Krishna. Patronage of Mughal rulers like Akbar evolved Kathak to a dance of grandeur. Vibrant costumes and jewelry, intricate compositions that used fast spins and delicate body movements are a reflection of the Persion influence on the dance. The modern day Kathak is a balance of temple and court traditions. Like many other dance forms, the earliest performers were men and gradually more women began to learn and perform. The typical dance repertoire showcases the masculine (Tandav) and feminine (Lasya) aspects of dance, regardless of the gender of the dancer.
Traditionally, the event marks the beginning of the journey of the Kathak student as a professional dancer. After years of Sadhana (acquiring the knowledge, practicing it and absorbing the essence), the student is deemed ready to go out into the world as a dancer. The repertoire showcases the mastery in nritta, the dance skills and understanding of the nuances of abhinaya, the acting aspect of Kathak.
Vocalist - Hindustani Classical
We seek the blessings of Maa Kaali, the goddess of power and righteousness through this invocatory piece.
Raag : Shankara
Taal : Manthika (13 beat)
Choreography : Smt. Purvi Bhatt
Dhamaar is a 14 beat rhythmic cycle. This piece showcases a typical Kathak taal repertoire highlighting the Nritta (pure dance) aspect of Kathak. Traditional compositions like Thaat, Paanchpalli, Paran, Kavit, and Tihai are performed to both Tabla and Pakhawaj syllables. The lehera has been composed in Raag Jog.
Haveli Sangeet is a Dhrupad based form of Hindustani Classical music which originated in the mansions of the city of Braj in North India. The devotional renditions are sung all throughout the day to coincide with each activity of Lord Krishna. Through this traditional Haveli composition, the dancer will present an episode from Krishna Bal Leela, portraying the characters of Shree Krishna, Yashoda, and a Gopi.
Raag : Kaafi
Taal : Deepchandi
Choreography : Pta Maneesha Sathe
The Nritta (pure dance) aspect of Kathak marries the Abhinaya (expressional) aspect to depict the human relationship to the rains. The dancers will portray the joy experienced when thunderous clouds give into blissful rain, after a long spell of heat.
Raag : Megh
Taal : EkTaal (12 beats)
Choreography : Smt. Purvi Bhatt
A tribute to the storytelling origins of Kathak, this piece is an enactment of an episode from the Ramayan in which Jataayu attempts to foil Sita haran. The dancer portrays the characters of Shri Ram, Lakshman, Goddess Sita, Ravana, Maarichh, Srupnakha and Jataayu to relay the story of deceit, courage, and gratitude.
Raag : Rageshri, Aasavari, Malkauns, Sohani and Jaunpuri
Taal : Teen Taal (16 beat)
Choreography : Pta Maneesha Sathe
This contemporary piece illustrates the detriments of humans on soil and the importance of soil in human life. The piece also highlights modern instruments combined with traditional Kathak instruments.
Choreography : Smt. Purvi Bhatt
Taraana is a traditional composition of Hindustani classical music that uses syllables instead of lyrics to deliver a melody. In its dance form, a taraana becomes an amalgamation of spirit and power of Kathak.
Raag : Bhairavi
Taal : Teen Taal (16 beat)
Choreography : Smt. Purvi Bhatt
Akanksha and Tara's Rangmanch Pravesh
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LASYA KATHAK DANCE ACADEMY